About R.W. Harper

R.W. Harper

R.W. Harper

Author & Game Developer

The entrance to the Tiwanaku Ceramic Museum in Bolivia, where visitors can explore artifacts and insights into one of South America’s oldest civilizations, a culture often featured in theories about ancient aliens due to its mysterious monuments and advanced stonework.

The entrance to the Tiwanaku Ceramic Museum in Bolivia, where visitors can explore artifacts and insights into one of South America’s oldest civilizations, a culture often featured in theories about ancient aliens due to its mysterious monuments and advanced stonework.

These stones may have been part of larger buildings or monuments, now carefully arranged on display to showcase the craftsmanship and design skills of the Tiwanaku people.

These stones may have been part of larger buildings or monuments, now carefully arranged on display to showcase the craftsmanship and design skills of the Tiwanaku people.

Ancient stone terraces and walls at Tiwanaku, Bolivia, showcasing the precise masonry and architectural skills of the Tiwanaku civilization.

Ancient stone terraces and walls at Tiwanaku, Bolivia, showcasing the precise masonry and architectural skills of the Tiwanaku civilization.

The Gateway of the Sun at Tiwanaku, Bolivia—a massive stone portal carved with intricate symbols and figures, believed to have held spiritual or astronomical significance for the ancient Tiwanaku people.

The Gateway of the Sun at Tiwanaku, Bolivia—a massive stone portal carved with intricate symbols and figures, believed to have held spiritual or astronomical significance for the ancient Tiwanaku people.

Stone heads set into the wall at Tiwanaku, Bolivia—believed to represent various ancestors or figures significant to the Tiwanaku people, showcasing the distinctive style and spiritual depth of this ancient culture.

Stone heads set into the wall at Tiwanaku, Bolivia—believed to represent various ancestors or figures significant to the Tiwanaku people, showcasing the distinctive style and spiritual depth of this ancient culture.

The monolith at Tiwanaku, Bolivia, is estimated to be around 1,000 to 1,800 years old, dating back to the height of the Tiwanaku civilization, which flourished from roughly 200 to 1000 AD.

The monolith at Tiwanaku, Bolivia, is estimated to be around 1,000 to 1,800 years old, dating back to the height of the Tiwanaku civilization, which flourished from roughly 200 to 1000 AD.

The entrance to the Tiwanaku Ceramic Museum in Bolivia, where visitors can explore artifacts and insights into one of South America’s oldest civilizations, a culture often featured in theories about ancient aliens due to its mysterious monuments and advanced stonework.

The entrance to the Tiwanaku Ceramic Museum in Bolivia, where visitors can explore artifacts and insights into one of South America’s oldest civilizations, a culture often featured in theories about ancient aliens due to its mysterious monuments and advanced stonework.

These stones may have been part of larger buildings or monuments, now carefully arranged on display to showcase the craftsmanship and design skills of the Tiwanaku people.

These stones may have been part of larger buildings or monuments, now carefully arranged on display to showcase the craftsmanship and design skills of the Tiwanaku people.

Ancient stone terraces and walls at Tiwanaku, Bolivia, showcasing the precise masonry and architectural skills of the Tiwanaku civilization.

Ancient stone terraces and walls at Tiwanaku, Bolivia, showcasing the precise masonry and architectural skills of the Tiwanaku civilization.

The Gateway of the Sun at Tiwanaku, Bolivia—a massive stone portal carved with intricate symbols and figures, believed to have held spiritual or astronomical significance for the ancient Tiwanaku people.

The Gateway of the Sun at Tiwanaku, Bolivia—a massive stone portal carved with intricate symbols and figures, believed to have held spiritual or astronomical significance for the ancient Tiwanaku people.

Stone heads set into the wall at Tiwanaku, Bolivia—believed to represent various ancestors or figures significant to the Tiwanaku people, showcasing the distinctive style and spiritual depth of this ancient culture.

Stone heads set into the wall at Tiwanaku, Bolivia—believed to represent various ancestors or figures significant to the Tiwanaku people, showcasing the distinctive style and spiritual depth of this ancient culture.

The monolith at Tiwanaku, Bolivia, is estimated to be around 1,000 to 1,800 years old, dating back to the height of the Tiwanaku civilization, which flourished from roughly 200 to 1000 AD.

The monolith at Tiwanaku, Bolivia, is estimated to be around 1,000 to 1,800 years old, dating back to the height of the Tiwanaku civilization, which flourished from roughly 200 to 1000 AD.

About the Author

R.W. Harper is a video game developer and writer with over thirty years of experience crafting interactive narratives. Growing up in a haunted house in rural Alabama and along the Gulf Coast, he spent countless hours exploring swamps, forests, and coastal areas, developing an early fascination with nature, local folklore, and unexplained phenomena. His service in the U.S. Navy exposed him to diverse cultures and perspectives, sparking a lifelong interest in world traditions and stories.

Following his military service, Harper studied biology and history in college, combining his interests in natural science with cultural folklore. This blend of studies, along with his extensive travels, has given him perspective on how the natural world often intertwines with local legends and traditions.

Throughout his career in game development, Harper's drive to create engaging narratives has led him to research a wide range of subjects. His curiosity has taken him to historical sites around the world, from the pre-Incan ruins of Tiwanaku in Bolivia to ancient Mayan cities in Mexico and Guatemala, and medieval sites across Europe. These experiences have deepened his appreciation for how different cultures preserve their histories and beliefs through storytelling.

Born into a family of storytellers, Harper learned early on the power of narrative in preserving local history and cultural beliefs. This background, combined with his love of research and experience in interactive storytelling, influences his approach to examining unexplained phenomena. Whether exploring cryptids, folklore, or historical mysteries, he strives to balance factual evidence with the cultural significance these stories hold for their communities.

As his writing projects have expanded beyond game development, Harper has found himself increasingly drawn to investigating unexplained phenomena and folklore. His research, driven by genuine curiosity and the needs of his creative work, has led him to collect stories and historical accounts that shed light on mysterious encounters and local legends.

Currently based in Raleigh, North Carolina, Harper continues his work in video game development while pursuing various creative projects. Through his writing, he aims to share these fascinating stories while exploring their impact on our understanding of the world around us.

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